March 24, 2018


World Premiere of Blue of the Distance by Emilie LeBel

Canadian Music Centre

April 19, 2018


Women on the Verge

Maison des étudiants canadiens at the Cité internationale universitaire de Paris

7:45pm, Salon Wilson, 31, Boulevard Jourdan, 75014 Paris

April 22, 2018


Women on the Verge

Les Arts George V Series

3:00pm, 23, avenue George V - 75008 Paris - France

May 4, 2018


Recital with Sezi Seskir, piano, Lisa Caravan, cello

Farnsworth Museum, Rockland, Maine

2pm, 16 Museum St. Rockland, ME 04841

May 9, 2018


Women on the Verge

Civic Morning Musicals Series, Syracuse, NY

12:15pm, 819 Madison St, Syracuse, NY 13210

September 19, 2018


Glitter and Be Gay: Bernstein at 100

Amerika Haus, US Embassy, Vienna, Austria

October 12, 2018


Women on the Verge

Pacific Lutheran University, Seattle, WA

October 23, 2018


Women on the Verge

University of Lethbridge

October 29, 2018


Women on the Verge

University of Calgary

October 31, 2018


Women on the Verge

Pro Arts Society@Noon Series

February 12, 2019


Women on the Verge

University of Middlesex, London, UK

February 12, 2019


Women on the Verge

Borough New Music Concert Series, London, UK

February 19, 2019


Women on the Verge

St. Bride's Church Recital Series, Fleet Street

February 24, 2019


Brahms’ Requiem

Soprano soloist

Choral Artists of Sarasota

March 10, 2019


Women on the Verge

Bucknell University

7:30pm, Rooke Recital Hall

May 10, 2020


Women on the Verge

Atelier Concert, The American Church in Paris

 

SELECTED UPCOMING ENGAGEMENTS
World Premiere of Emilie LeBel's Blue of the Distance at the Canadian Music Centre
Recitals in Toronto, Texas, Maine and Paris
Soprano soloist in Brahms' Requiem with the Choral Artists of Sarasota

See the Schedule Page for more information

 

As Curley’s Wife in Of Mice and Men (Opera Grand Rapids)

Jeffrey Kaczmarczyk, The Grand Rapids Press

"Lyall outdid himself with the casting of versatile actors and gutsy singers. Martin captivated the audience with the much meatier part as a woman hungry for attention. While singing some gol’ darn difficult music with a gossamer voice, Martin shrewdly played a complex, calculating woman who’s flirtatious, manipulative, sweet and self-absorbed all at once."